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how can you tell if a oil on canvas painting is a repro.?
i have a 35" x 20" depiction titled The Nude Maja by Francisco de Goya i know its probably a repro how can you tell.
The contrariety dispute in the price commanded by an original print and a reproduction acknowledged as such is largely a reflection of the difference in their aesthetic qualities. No one would longing to pay for an original only to discover that he has acquired a reproduction which is worth far less.
Reproductions are dutiable while original prints are duty-uninhabited. If a custom declaration states that a print is a reproduction, the importer and anyone charged with his knowledge would be committing fraud if he sold it as an archetypal print. The text of the pertinent provisions of the Tariff Act and Regulation is reproduced on page 30. [omitted]
A customer might reasonably request a dealer to state on the invoice that the print purchased is an original print. Refusal on the part of the agent to do so would at least warn the buyer that the dealer was not prepared to guarantee its authenticity.
The best protection is education. Exposure to prints not only increases one's connoisseurship and delectation of prints but is a pleasurable occupation in itself. Often, however, even the experienced collector cannot rely entirely on his own judgment. Very few have the inclination, time, or talents to become experts. Those who are not can best protect their interests by consulting reliable dealers or obtaining the guidance of museum curators. Buy prints only from those whom you identify to be honorable and well informed. You should be able to obtain a written representation from the dealer describing the print in detail. The extent to which a tradesman follows the recommendations of the Print Council (outlined in the next section), is a good index of his reliability.
There's a dream of article on the subject here:
http://www.lasanskyart.com/art/process/pca/reproductions.shtml
The peculiarity in the price commanded by an original print and a reproduction acknowledged as such is largely a reflection of the difference in their aesthetic qualities. No one would have a mind to pay for an original only to discover that he has acquired a reproduction which is worth far less.
Reproductions are dutiable while original prints are duty-easy. If a custom declaration states that a print is a reproduction, the importer and anyone charged with his knowledge would be committing fraud if he sold it as an innovative print. The text of the pertinent provisions of the Tariff Act and Regulation is reproduced on page 30. [omitted]
A customer might reasonably request a dealer to state on the invoice that the print purchased is an original print. Refusal on the part of the retailer to do so would at least warn the buyer that the dealer was not prepared to guarantee its authenticity.
The best protection is education. Exposure to prints not only increases one's connoisseurship and entertainment of prints but is a pleasurable occupation in itself. Often, however, even the experienced collector cannot rely entirely on his own judgment. Very few have the inclination, time, or wit to become experts. Those who are not can best protect their interests by consulting reliable dealers or obtaining the guidance of museum curators. Buy prints only from those whom you recognize to be honorable and well informed. You should be able to obtain a written representation from the dealer describing the print in detail. The extent to which a commerce follows the recommendations of the Print Council (outlined in the next section), is a good index of his reliability.
There's a fancy article on the subject here:
http://www.lasanskyart.com/art/process/pca/reproductions.shtml
Reproductions are dutiable while original prints are duty-easy. If a custom declaration states that a print is a reproduction, the importer and anyone charged with his knowledge would be committing fraud if he sold it as an innovative print. The text of the pertinent provisions of the Tariff Act and Regulation is reproduced on page 30. [omitted]
A customer might reasonably request a dealer to state on the invoice that the print purchased is an original print. Refusal on the part of the retailer to do so would at least warn the buyer that the dealer was not prepared to guarantee its authenticity.
The best protection is education. Exposure to prints not only increases one's connoisseurship and entertainment of prints but is a pleasurable occupation in itself. Often, however, even the experienced collector cannot rely entirely on his own judgment. Very few have the inclination, time, or wit to become experts. Those who are not can best protect their interests by consulting reliable dealers or obtaining the guidance of museum curators. Buy prints only from those whom you recognize to be honorable and well informed. You should be able to obtain a written representation from the dealer describing the print in detail. The extent to which a commerce follows the recommendations of the Print Council (outlined in the next section), is a good index of his reliability.
There's a fancy article on the subject here:
http://www.lasanskyart.com/art/process/pca/reproductions.shtml
1978 repro oil painting seascape?
ships with buildings on grade mist over waters.signed bottom left m lenoir.1978 framed in old intercraft frame measures 28-52 in.
You didn't ask a issue - what did you want to know? There is a Milton Lenoir working in (I think) Alabama and having works published at about that interval. You could have a look at a site called Allgoodthingscollectible for reproductions of work by this artist - they were sold originally for about $100 in the 70s.
do i have to get permission to make and sell repro art? what if i change the image?
its felonious to just reproduce an artwork and sell it without permission right? but what if i drastically change how it looks? how much do I have to change how it looks before its juridical to sell? I was going to paint something that looks like alice in wonderland but now im afraid i might get sued or something if i sell it ! :( any tips/info?
Yes you have to get franchise. You can have the same pose and a completely different picture but it's still copyright infringement. Like stealing something to make a buck off of it. In order to sell down the river something and not get sued, create something completely original.
Selling a Painting?
I have been offered a more than humane some for a painting I aquired from an unknown painter. I will say that the painting is oil on canvas repro, 24X36 inches of Venus. Is it legal to sell this painting in the USA, although the original painter is extinguished. With all these copy rights, I am not sure if it is legal. I purchased this painting directly from the painter in Italy, Cash. I never obtained a takings. The possible buyer is offering me cash.
The painting, or proliferation as you mentioned, is your property, and you can sell it for whatever price you can get. It's perfectly legal, and you do not need to get permission from the dead artist's holdings, or pay anything more. The artist was already compensated for the work when he sold it to you. If you decide to sell it, that's not an infringement of the copyright. It's straight an exercise of your rights.
What would be an infringement of the copyright would be to make further reproductions from your piece and sell those. You only own the one canvas, not the image itself. That is owned by the artist's stratum for a period of years after his death.
Go ahead and take the cash.
Albert Joseph Moore Oil Paintings | Fine Art Reproduction
Albert Joseph Moore (4 September 1841 25 September 1893) was an English painter, known for his depictions of langorous female figures set against ...
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